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Showing posts from 2015

Here is Niamh Minogue

RMIT Bachelor of Fine Art
Object based Practice - Ceramics
Graduate exhibition 2015

This student's work really thrilled me. A self confessed lover and user of coiling and pinching, her subtly raised and terra sigillata finished forms really delighted.
Niamh Minogue's graduate work is stunning in its range of ceramic process and her mature approach to colour, texture, form and arrangement.



Two

Pottery by graduating Holmesglen Students Alison Frith & Jessica Rae Guild of Objects November 2015

Snuck into this show early and Ali & Jess graciously allowed me to poke around. Very impressive, consolidated work from these young graduates. Both potters work with an earthy palette as is the  current trend and use stoneware clay and glazes. Jess' pillow vessels are industrial in form but softly domestic in scale with gently curving rims. Tricky making here; joining and inner and an outer form so seamlessly. Ali really wows with her volcanic glazes. She reigns-in the eruption by containing this bubbling fury to the lids of perfectly restrains cylinders. The lunar-like effects balance harmoniously with her choice of satin glaze. I would love to see some wilder, deeper pits & holes on future work. 
It is devastating to hear that Holmesglen TAFE is closing its course when the diploma turns out talented and energetic potters as these Two.




Conditional Archaeology

New Ceramic works by Alanah Wilson with florals by Phil Hyunh  Mr Kitly  November 2015








Wilson lives and works in Sydney and this is her first foray south since graduating from ceramics at the National Art School. This exhibition draws on Mycenaren vessels and Chinese ritual bronzes  as inspiration for her finely-fluted, ancient forms and metal-mimicking thin walls. Wilson's subtle colour range is achieved through layers of colours washes with oxides, slips and glazes.

The exhibition included a collaboration with Phil Hyunh who provided the floral elements.

In her catalogue Wilson writes of flowers serving as ..." 'memento vivere' - a reminder to live - and aim to highlight the importance of the physicality and reality of the present moment whilst acting as an indication of the measurable time and natural decay."

Hyunh's vibrantly-coloured and freshly-cut flowers precariously emerge from Wilson's ancient vessels. I am reminded of tenacity of plants that m…

Country

Fiona Hiscock
Gallerysmith October 2015 This is Fiona Hiscock's first solo exhibition with her new gallery, presenting the vessels that are well know and well loved bowls, trays, pitchers, vases, and featuring a spray of wall plaques.

Benwell & Halpern

SAM Shepparton Art Museum  October 2015
The superb 'wall of ceramics' display case at SAM is currently devoted to the work of two Melbourne potters Stephen Benwell & Deborah Halpern.

This duo is a brilliant combination, certainly not the first time they have been displayed together.  These works remain vital and shake off any lingering doubts about West Coast funk, or 80s cringe.

Congrats to SAM for a collection that has depth and longevity. Halpern's later work is represented by a mosaic sculpture. I'd love to see her get her hands muddy again and see what springs forth.

Installation is matched wonderfully with a contemporary wall piece. I wonder who did it?







Sidney Myer Fund Australian Ceramic Award

Shepparton Art Museum Saturday 22 August 2015 to 22 November 2015www.sheppartonartmuseum.com.au
Another spontaneous school holiday road trip treat: the Ceramic Award. This year there is barely a vessel in sight.  Really enjoyed and was inspired by the challenge this show set for me. And that is:
how these incredible objects expand the use of material and process.
I don't envy the job of the selectors.

SAM Director Kirsten Paisley said:The five shortlisted artists are exemplary artists, each building and contributing to the use of ceramics as a medium. Their practices span historical cultural themes, revisit modernist concerns, delve into social issues and moreover each challenge our understanding of ceramic art and its positioning within contemporary practice. In this suite of five exhibitions ceramics as a process medium, a collaborative medium collided with other materials and as a material with technical limitations and extraordinary capabilities its own right will be…