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Showing posts from April, 2017

Dean Smith - Pink Terraces

Dean Smith's solo show exemplifies his mastery of matt crystalline glaze. Look carefully at the seamless additions of fused glass.  I particularly like his vertical, 'pillowy-soft' vessel to show of his sublte glaze palette & crystal patterning. 
 4-22 April 2017
Alcaston Gallery 11 Brunswick Street, Fitzroy,
Melbourne, Victoria, 3065 Australia







The Pink Terrace was once a large and beautiful silica deposit in New Zealand, created by chance and destroyed by chance, possibly by an eruption of Mount Tarawera.A place exists and then doesn’t exist. For this exhibition I have made some slab-built vessels, moving away from the familiarity of the wheel-thrown form as the sole basis for my work. As I build the work my thoughts are around structures, chambers or tombs - permanent structures housing the impermanent/ the permanent structure erased by the forces of nature/beauty and fragility. - Dean Smith, 2017 (from website)

Of everything that disappears there remain traces

Dan Arps
Samantha Barrow
Jeremy Eaton
Kate Hill
Georgia Kaw
Seala Lokollo-Evans
Kate Newby
Charlie Sofo
curated by Lauren Ravi


Friday 7 April - Saturday 29 April 2017

The Honeymoon Suite
L1, 60 Sydney Rd.,  Brunswick, Victoria 3056
I am fascinated by the premise of Lauren Ravi's curated show for Honeymoon Suite. The show is supported by an eloquent essay, parts of which are included at the end of the artwork images. Her training as a conservator stimulated her conceptual idea.When presented with a object for conservation, a conservator must decide what is the 'ideal state' to return an object to. This freezing of a moment in time for the relative material of an object is food for thought. 

Ravi brings together artists whose, ...handling, methods of production, interaction with their environments, and the alchemical processes’ of transformation that a material undergoes,is ...not as pure matter but rather as holding congealed moments in a broader social trajectory that is …